Ian Sansom, Mr. Dixon Disappears
So when we encourage art education in public schools and applaud the art displayed in museums is it with the expectation that art somehow makes us better people? Is beauty itself a moral value? Great artists sometimes, like Vermeer in the movie, act like they have a get-out-of-jail-free card when it comes to ethical behavior. Are we willing to forgive behavior in talented artists we would not tolerate in others? Is art moral, immoral or amoral?
The same kinds of questions can be asked about literature, as Israel Armstrong does in Ian Sansom's wonderful comic novel Mr. Dixon Disappears (2006). He is a reluctant librarian in Northern Ireland who is shaken when he discovers that the people who use his mobile library are really no better than anyone else. He had believed, as many of us sometimes do, that good people read good books and that reading those books is one of the things that makes them good.
"While the value of literature ought not to be a matter of faith, it looks as if, for many of us, that is exactly what it is," writes philosopher Gregory Currie in a New York Times column printed Sunday in the Tampa Bay Times. Currie suggests that "advocates of the view that literature educates and civilizes don't overrate the evidence -- they don't even think that evidence comes into it."
Great literature often wrestles with moral questions. One can't read The Adventures of Huckleberry Finn without thinking about slavery and racism. How often does reading it actually make someone less racist? The same question might be asked about To Kill a Mockingbird. Novels as diverse as War and Peace, The Scarlet Letter and The Heart of Midlothian deal with other moral issues. One would think that simply thinking about moral questions would help one make better moral choices, but does literature really do more than a simple moral code such as the 10 Commandments or, simpler still, the Golden Rule?
Currie calls for research on the question. "Everything depends in the end on whether we can find direct, causal evidence we need to show that exposure to literature itself makes some sort of positive difference to the people we end up being," he writes. I have no idea how one might conduct such research.
Whatever the moral dimension of literature, I tend to believe that it makes us better in other ways. It allows us to travel the world and meet an endless array of people without leaving our homes. It educates us, exposing us to ideas and beauty and experiences we could not otherwise find in our own living rooms. Perhaps that is enough. And if it is, then that is a moral good.
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