Take Elizabeth Strout's Olive Kitteridge, for example, or Mister Monkey by Francine Prose. Both consist of stories that could stand alone, yet they have characters and a few other points of reference in common. It helps when the author makes it clear what it is, as Edward Rutherfurd does when he tells the history of places like London, Paris and New York in a series of stories, some of which may take place decades or even centuries apart. He calls his books novels, so that is what they are. Other writers aren't as helpful.
These stories are beautifully written in that lyrical style Hoffman does so well in her best work. Some end tragically, as with sailors lost at sea, a murder or a suicide, while others paint more positive pictures. As for painting pictures, the most important color on Hoffman's palette is red. In these stories we find red hair, red skin, red pears, red oaks, red-winged blackbirds and so on. There is the more common blackbird in the first story, "The Edge of the World," but after that it is a white blackbird that flies through the stories, as if it were the ghost of that original bird. Some characters view it as an omen, but whether it brings good luck or bad varies from story to story.
Hoffman says in the conversation at the end that Blackbird House began with a short story she was asked to write for the Boston Globe. That story, "The Summer Kitchen," inspired the rest.
I love this book, whatever it is.
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